Artists in residence: Camilo Pachón and Zwoisy Mears-Clarke (c) Katja Illner

Artists in residence:  
Camilo Pachón and Zwoisy Mears-Clarke 
 
When: 
9 October 2025 – 9 November 2025 

Erste Schritte zu den Schwellen (First Steps Towards the Thresholds): 
In October and November, artists Camiló Pachon and Zwoisy Mears-Clarke will be moving from Germany to Kortrijk. Studio Texture will be their studio for two months. The artists will collaborate on the procession Erste Schritte zu den Schwellen, which will be on display during the NEXT Arts Festival in Lille. Zwoisy Mears-Clarke will be responsible for the performance, while Camiló Pachón will take care of the masks. Using German folklore as a starting point, they will create a new version of the performance.  

Getting to know traditional techniques for working with natural materials and the creative ways in which those traditions are kept alive: for me, that is one of the most valuable aspects of this project.  

RESIDENCY  

Camilo Pachón is a multidisciplinary artist who combines art and craft. Pachón explores the transformative power of masks and rituals. In doing so, he connects elements from Latin American cultures with those from Germany, for example. Together with local makers and creatives, Pachón will set to work making masks. Local raw materials, textile traditions and techniques are the source of inspiration. In Studio Texture, Camilo Pachón will immerse himself in flax cultivation, weaving techniques and textile crafts from the region. Here, too, he invites visitors and residents to participate in a creative dialogue during a series of workshops in which participants make masks together with the artist.  

Zwoisy Mears-Clarke wants to bring people together and therefore considers herself a choreographer of encounters. Inspired by German folklore in which masked figures chase away winter, Zwoisy brings different worlds together in Erste Schritte zu den Schwellen. In this modern procession, it is not winter that is chased away, but systems of oppression such as racism, gender binary and ableism. Dance, audio description, poetry and storytelling come together in unexpected encounters. The choreographic space is used to bring professionals and amateurs together, with a strong focus on accessibility: from integrated audio description to tactile and audible costumes. The procession becomes a place where perspectives shift and interaction arises – in contrast to social structures that often separate and alienate people from each other. Two characters take centre stage and are portrayed by different performers at the same time. Each version of this performance is created with people on site, so that the procession is constantly transforming and entering into dialogue with its surroundings.

Erste Schritte zu den Schwellen is a gentle but powerful invitation to pause for a moment and reflect on the boundaries we cross every day – geographical, social or personal – and on the people who have to find their way through them again and again. 

PERFORMANCE 

At NEXT Arts Festival in Lille, a unique procession will take place, bringing together Pachón's masks and Mears-Clarke's performance.  

Camilo Pachón invites you to get to work with natural materials and local crafts. In this co-creation workshop, you will make unique masks together with the artist, which will be worn during the performance Erste Schritte zu den Schwellen. You can participate for one or more days.  

The workshops will take place on Friday 10, Saturday 11 and Sunday 12, Friday 24, Saturday 25 and Sunday 26 October.      
    
On 9 and 10 November, you can see the masks in action during the performance Erste Schritte zu den Schwellen in Lille at NEXT Arts Festival. 

Artists in residence: Camilo Pachón and Zwoisy Mears-Clarke (c) Katja Illner
Artists in residence: Camilo Pachón and Zwoisy Mears-Clarke (c) Katja Illner
Artists in residence: Camilo Pachón and Zwoisy Mears-Clarke (c) Katja Illner
Artists in residence: Camilo Pachón and Zwoisy Mears-Clarke (c) Katja Illner
Artists in residence: Camilo Pachón and Zwoisy Mears-Clarke (c) Katja Illner